| DAVE'S 
        DIARY - 9 AUGUST 2010 - RODNEY ATKINS CD REVIEWS CD 
        REVIEW - 2010RODNEY ATKINS
 IT'S AMERICA (SONY-CURB)
  
        FARMER'S DAUGHTER ROPES RODNEY "I'm 
        still hauling hay and feeding the hogs/and that summer sun has me sweating 
        like a dog/ so I cool off in the creek/ and she brings me out a glass 
        of sweet ice tea/ I'm on the tractor and she's on my mind/ and I can't 
        wait till its quitting time/ and just when I think it can't get no hotter/ 
        I come home to the farmer's daughter." - The Farmer's Daughter 
        - Marv Green-Rhett Atkins-Ben Hayslip. Tractors 
        have long been vibrant vehicles driving country songs into the psyche 
        and up the charts.
 It worked for acts diverse as Canadian troubadour Fred Eaglesmith, latter 
        day bluegrass artist Joe Diffie and Tennessee superstar Kenny Chesney.
 
 Fellow Tennessean Rodney Atkins parked A Man On A Tractor on third 
        album If You're Going Through Hell.
 
 Next Atkins reprised the paddock posse on Friends With Tractors 
        on his fourth album It's America.
 
 But that wasn't enough.
 
 Another tractor tyro prompted re-release of the big selling album - with 
        Farmer's Daughter as the bonus track.
 
 The tale of a hired hand falling in love with his boss's daughter was 
        the perfect fodder for the video sales tool.
 
 And, of course, art imitating life.
 
 Atkins, an orphan with a degree in psychology, chose his real life wife 
        Tammy Jo to play the object of his love who becomes his wife.
 
 It's smart marketing for the singer who filmed the video near Civil War 
        town Franklin, south of Nashville.
 A 
        COUNTRY BOY  "Now 
        his idea of heaven/is home sweet home east Tennessee/but for a girl like 
        you he would pull up roots/and move down the road a piece/ he'll always 
        take his own sweet time/if you give him a choice, yeah/you can always 
        tell a country boy." - Tell A Country Boy - Jon Henderson-Neal 
        Coty.
 Marketing imagery is maximised to separate rural rooted country singers 
        like Atkins from urban cowboys and cowgirls.
 
 Atkins only wrote three songs on this disc but others were tailored for 
        the singer who has long resisted pressures to move to Nashville.
 
 Rodney and Tammy Jo live on a farm 130 miles east of Music City so it's 
        no surprise Tell A Country Boy was chosen as the entrée 
        song.
 
 The twin fiddles of Larry Franklin and Jonathan Yudkin kick off a tune 
        augmented by Mike Johnson's pedal steel.
 
 Atkins even uses road guitarist Duane Sciacqua - husband of Oklahoma born 
        stone country singer Becky Hobbs - in the studio.
 
 His character has no need of city tanning salons - his nape is blessed 
        by a natural red with no manufactured rouge.
 
 It segues into Atkins originals Chasin' Girls, inspired by his 
        son and step- daughters - and self-deprecatory celebration of his wife, 
        life and maker in Got It Good.
 
 Atkins, 41, exploits enjoyment of rural hedonism in the Best Things 
        and the rollicking 15 Minutes.
 
 And then it's back to bucking the star system in his collaboration with 
        hit writers Dave Berg and Rivers Rutherford on Simple Things.
 
 The song, inspired by creek bank paternal bonding, was also therapy for 
        a singer as he escaped the industry on breaks from the rigors of the road.
 
 Yes, he sings of those homegrown staples - dogs, hummingbirds, babies, 
        family, friends, fishing, oak trees and tyre-swings.
 
 Not what you find in rap, dance or techno.
 
  FRIENDS 
        WITH TRACTORS  "I sat 
        beside a man from Hollywood, California on a plane/ he said he had rich 
        and famous friends, he liked dropping names/ I said 'Howdy do, that's 
        good for you, I dig a lot of those actors/but son you ain't got a thing 
        on me, see I got friends with tractors." - Friends With Tractors 
        - Rhett Atkins-Dallas Davidson-Ben Hayslip. 
         
          |  | Atkins 
            and co-producer Ted Hewitt again exploit the rural-urban gulf in the 
            fiddle driven Friends With Tractors. 
 He accentuates the sharp contrast between big city power brokers bravado 
            and rural camaraderie.
 
 Atkins name checks tractor brands in a sprawling style akin to the 
            product placement of those Hollyweird directors.
 
 When he sinks his Justins into elite restaurants it resonates way 
            beyond his neck of the backwoods.
 |  "I been 
        to fancy five star restaurants/ and I left there barely fed/ they charged 
        me for the water/the butter and the bread/that gourmet meal looked more 
        to me/like fish bait on a cracker/but I'll stay fat and happy 'cause I 
        got friends with tractors."
 It's a theme he returns to in the soft-core patriotism of Angelo Petraglia-Brett 
        James title track.
 
 He sets the mood with "it's a high school prom/it's a Springsteen 
        song/it's a ride in a Chevrolet/it's a man on the moon and fireflies in 
        June."
 
 Then there's the punchline aimed at Samaritan sympathisers.
 
 "Later on when I got home/ I flipped the TV on/ I saw a little town 
        that some big Twister tore apart/ people came from miles around/ just 
        to help their neighbours out/ and I was thinkin' to my self/ I'm so glad 
        that I live in America."
 
 Cynics might perceive this altruism an idealistic oasis in the harsh reality 
        of Atkins' mega-materialistic nation and other western societies.
 
 And, of course, vast contrast to reality rooted rural tunes mined by Merle 
        Haggard, Billy Joe Shaver, David Allan Coe, Johnny Paycheck, Todd Snider, 
        Waylon and Willie and Ray Wylie Hubbard.
 
 But Atkins is shooting for a younger demographic seeking escape from poverty 
        and hardship.
 
 Perhaps that's why he closes with twin positive paeans - regret free life 
        celebration Rockin Of The Cradle and forgiveness fuelled fable 
        When It's My Time.
 
 This feel good disc ends with the power of healing fishing finale - The 
        River Just Knows.
 
 A battle scarred military veteran lands a rainbow trout after a long fight.
 
 "He held the fish down in the water/and he coaxed it back to life/ 
        he said 'I'll help you get your wind back/ 'cause you helped me get mine'/and 
        all I could think to say was 'welcome home.'"
 
 And maybe to Hollywood.
 CD 
        REVIEW - 2006 RODNEY ATKINS
 IF YOU ARE GOING THROUGH HELL (SONY-CURB)
  
        RODNEY ATKINS BEATS DEVIL IN TV HELL  "I had very intention of getting hammered here tonight/ gave my truck 
        keys to the bar keep/I said don't let me drive tonight/ it's wasted whiskey, 
        trying to drink you off my mind." - Wasted Whiskey - Rodney Atkins-Ted 
        Hewitt-Danny Simpson.
 Rodney Atkins 
        has fertile fuel for heartbreak songs. 
         
          |  | Two 
            families adopted him and returned him to a Tennessee orphanage - because 
            he had a lung infection. 
 But the third family, who lost a baby to the same illness six month 
            earlier, raised him in their home at Cumberland Gap near the Virginia-Kentucky 
            border.
 
 So Atkins, who majored in psychology at Tennessee Tech in Cookeville, 
            knew how to handle rejection.
 
 When his 1997 self titled debut album sank after just one chart entry 
            - his original In A Heartbeat - he toiled for another five 
            years.
 
 In 2002 Atkins scored singles, Sing Along and My Old Man 
            before big hit Honesty (Write Me a List) in 2003 - title track 
            of his second album.
 
 Then his third album produced two huge hits If You're Going Through 
            Hell (Before The Devil Even Knows) and Watching You that 
            topped U.S. charts for five weeks and lured comedians.
 |  Atkins was 
        backstage at the Jay Leno Tonight show when he overheard comedian Bill 
        Maher tell the host "the only use I have for country music is to 
        make fun of it."
 Sounds familiar - for local artists who grin and bear it when forced to 
        use TV as a surrogate radio here.
 
 Atkins reported Maher, unaware he heard his remarks, "came up and 
        shook my hand after the show and said, 'I really enjoyed that.' It was 
        kind of funny, because he got out of there as quick as he could."
 
 Atkins, it would appear, had the last laugh - he co-produced his third 
        disc If You're Going Through Hell that sold two million plus.
  IF 
        YOU'RE GOING THROUGH HELL  "Yeah, 
        If you're going through hell/ keep on moving, face that fire/ walk right 
        through it/ you might get out/ before the devil even knows you're there/ 
        yeah, you might get out/ before the devil even knows you're there." 
        - If You're Going Through Hell - Sam Tate-Annie Tate-Dave Berg. 
         
          |  | And, 
              it's a nice little earner for Atkins who co-wrote six tunes including 
              About The South, Angel's Hands, ruptured romance ode Invisibly 
              Shaken and Wasted Whiskey.
 But Watching You - a paternal parable splinter from late 
              Harry Chapin's Cat's In The Cradle - impacts most for Atkins.
 
 Atkins wrote it about five-year-old son, Elijah - the only blood 
              relative he's ever known.
 
 It's about a boy who learns from watching dad - but not always what 
              his dad wants him to learn.
 Atkins, 
              then 37, wrote it after pre-school teachers told him Elijah was 
              serenading his classmates with If You're Going Through Hell. |  At least 
        it wasn't Cleaning This Gun (Come On In Boy). "One 
        of the first times I went courtin' in high school I was met by the girl's 
        daddy standing out beside the driveway with a .357," Atkins said. 
        
 "That's called setting the tone. This is the same man who taught 
        me how to play guitar.
 
 We'd sit out on their front porch and dip snuff and pick and grin."
 
 Atkins, who lives 130 miles east of Nashville, exploits the virtues of 
        country living in rural rooted anthems.
 
 Good examples are Rivers Rutherford-Dave Berg entrée These Are 
        My People and Kent Agee-Michael Lunn cut A Man On A Tractor 
        with "let me find peace of mind on my own piece of land."
 
 Yes, idyllic bliss - no longer hell.
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